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Searching for information on locally, nationally or internationally renowned amateur or professional photographers working in Belgium before the Second World War? Maybe you will find some information on the internet, but still a lot has only been published in print. This printed information is very scattered and difficult to find. It may have been published in journals on culture and art, on heritage, on local and general history, on photography and history of photography, in catalogues of collections and exhibitions, in reference works, monographs and theses.00?Belgian Photographers 1839-1939? provides an overview of printed publications published after 1945 about Belgian photographers active from the discovery of photography until the Second World War. It presents a chronological bibliography, an author index and ? most importantly ? a completely comprehensive photographer index. This means that the references of all publications in which a particular photographer is mentioned, can be found in the bibliography.0Definitely this book will be an essential guide for all those with an interest in the history of photography in Belgium, including photo and art historians, heritage researchers, genealogists and archivists.
Photography --- fotografie --- C3 --- naslagwerk --- Kunst en cultuur --- photography [process] --- anno 1800-1999 --- anno 2000-2099 --- Belgium --- Photographie --- Histoire. --- Photographers --- History --- Bibliography --- photographers --- anno 1800-1899 --- anno 1900-1909 --- anno 1910-1919 --- anno 1920-1929 --- anno 1930-1939 --- België --- België.
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This volume highlights Belgian diplomacy from a European perspective. A group of Polish and Belgian historians came up with the idea of bringing together Belgian dispatches and diplomatic reports devoted to the efforts that the Poles made during the Second World War to regain the independence of their state, which had fallen victim of German and Soviet aggression. The result - 275 duly annotated documents - allows us to retrace Belgian reaction to the Polish resistance, armed struggle and diplomatic initiatives, including the idea of a Central European federation. The attitude toward the Polish disappointment caused by the British and American concessions to the USSR as well as by the catastrophic failure leading to the sovietization of Poland, is quite revealing: it shows the political, intellectual, even emotional framework of the Belgian circles in exile, but also the sources of Belgium's Atlantic commitment and its tireless support for supranational groupings.
Politique et gouvernement --- Guerre mondiale (1939-1945) --- Relations extérieures --- Pologne --- pologne --- History of Eastern Europe --- History of Belgium and Luxembourg --- anno 1930-1939 --- anno 1940-1949 --- Poland --- anno 1900-1999 --- World War, 1939-1945 --- Diplomatic history --- Belgium --- Foreign relations --- geschiedenis --- politiek --- Relations extérieures
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History of civilization --- Art --- History of Europe --- anno 1910-1919 --- anno 1900-1909 --- anno 1930-1939 --- anno 1800-1899 --- anno 1920-1929 --- France --- Germany --- Nationalism and art --- Nationalisme et art --- Historiography. --- History --- Historiographie --- Histoire --- Art pour l'art --- 7 <09> <44> --- 7 <09> <43> --- Kunstgeschiedenis. Kunsthistorie--Frankrijk --- Kunstgeschiedenis. Kunsthistorie--Duitsland --- 7 <09> <44> Kunstgeschiedenis. Kunsthistorie--Frankrijk --- Historiography --- Art - Historiography --- Nationalism and art - France - History --- Nationalism and art - Germany - History
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"Présentation de deux groupes artistiques belges de l'entre-deux-guerres, de leurs divergences et de leurs points de convergence. Au nord du pays, Laethem est le berceau des symbolistes et des expressionnistes flamands. Au sud, le groupe hennuyer Nervia comprend les peintres Anto Carte ou Louis Buisseret. Exhibition: Museé d'Ixelles, Ixelles, France (22.10.2015-17.01.2016)."
Painting --- Art styles --- Expressionist [style] --- artists' colonies --- anno 1910-1919 --- anno 1900-1909 --- anno 1920-1929 --- anno 1930-1939 --- Sint-Martens-Latem --- Wallonia --- Sint-Martens-Latem (Group of artists) --- Artists --- Art, Belgian --- Sint-Martens-Latem (Groupe d'artistes) --- Artistes --- Art belge --- Exhibitions. --- History --- Exhibitions --- Expositions --- Histoire --- Nervia (1928-1936) --- interbellum --- academisme --- Eeckman, Léon --- 20ste eeuw --- België --- Henegouwen (provincie) --- 20th century --- Belgium --- Groupe Nervia --- Nervia (1928-1936). --- interbellum. --- academisme. --- Eeckman, Léon. --- 20ste eeuw. --- België. --- Sint-Martens-Latem. --- Henegouwen (provincie). --- Latemse school
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Titre néerlandais : N17373 : Kunst aan de orde : Kunst en Politiek in België : 1918-1945
Arts plastiques --- Belgique --- Guerre 1940-1945 --- Histoire culturelle --- Histoire de l'art --- Histoire politique --- 930.85.60 <493> --- Cultuurgeschiedenis: 20ste eeuw--België --- 930.85.60 <493> Cultuurgeschiedenis: 20ste eeuw--België --- 32 <493> --- 32 <493> Politiek. Staatskunde. Staatswetenschappen --(algemeen)--België --- Politiek. Staatskunde. Staatswetenschappen --(algemeen)--België --- Internal politics --- Art --- anno 1930-1939 --- anno 1940-1949 --- anno 1920-1929 --- Belgium --- Art, Belgian --- Art and state --- Art belge --- Politique gouvernementale --- Kunsten --- Interbellum --- 20e eeuw --- België
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Food supply --- World War, 1914-1918 --- Nutrition policy --- Aliments --- Première guerre mondiale --- Politique alimentaire --- Government policy --- History --- Approvisionnement --- Politique gouvernementale --- Histoire --- Alimentation --- Belgium --- Belgique --- Politics and government --- Politique et gouvernement --- C5 --- Wereldoorlog I --- Wereldoorlog II --- voedingsindustrie --- Maatschappelijke organisaties en maatschappelijk leven --- Après-guerre. --- België --- Economische ontwikkeling. --- Geschiedenis. --- 930.25 <493> --- 930.25 <493> Archiefwetenschap. Archivistiek--België --- Archiefwetenschap. Archivistiek--België --- Première guerre mondiale --- History of Belgium and Luxembourg --- anno 1910-1919 --- anno 1920-1929 --- anno 1930-1939 --- anno 1940-1949
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Journalism --- Art --- anno 1930-1939 --- anno 1940-1949 --- anno 1960-1969 --- anno 1950-1959 --- France --- Themes, motives --- 76:655.5 <05> --- 655.262 <44> --- 655.534 --- 82:7 "19" --- Grafische kunsten. Grafiek. Prentkunst-:-Geïllustreerde boeken (boekillustraties)--Tijdschriften --- Boekdesign--algemeen--Frankrijk --- Stofomslag. Cover. Boekomslag --- Literatuur en kunst--20e eeuw. Periode 1900-1999 --- Themes, motives. --- Subjects --- 82:7 "19" Literatuur en kunst--20e eeuw. Periode 1900-1999 --- 76:655.5 <05> Grafische kunsten. Grafiek. Prentkunst-:-Geïllustreerde boeken (boekillustraties)--Tijdschriften --- Verve (Paris, France) --- Tériade, E.. --- 700 --- art XXe siècle --- revues d'art --- kunst algemeen --- art généralités --- 1937-1960 --- Verve (revue d'art) --- Eleftheriadis, Efstratios --- Art - Themes, motives
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kubisme --- avant-garde --- Art Déco --- Abstract [fine arts style] --- Dada --- suprematisme --- dadaïsme --- Cubist --- Surrealist --- Art Deco --- surrealisme --- abstracte kunst --- Art --- anno 1930-1939 --- anno 1920-1929 --- Art, Modern --- Avant-garde (Aesthetics) --- Avant-garde (Esthétique) --- Histoire de la photographie --- Histoire de l'architecture --- Histoire de la sculpture --- Histoire de la peinture --- Histoire de l'art --- 20e siècle --- Panorama mondial --- Avant-garde (Esthétique) --- Avant-garde (esthétique) --- Suprématisme --- Surréalisme (art) --- Art abstrait --- Art déco --- Suprématisme. --- Art abstrait. --- Art déco. --- Art, Modern - 20th century --- Abstract [modern European style]
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Le mobilier Art Déco connaît aujourd’hui une popularité croissante. Le terme Art Déco, utilisé dès les années 1960, fait référence à la grande Exposition Internationale des Arts Décoratifs qui eut lieu à Paris en 1925 et présenta au monde entier ce style moderniste, successeur à l’Art Nouveau, qui combinait une élégante simplicité à l’utilisation des matériaux les plus précieux, héritage de l’ébénisterie d’art du XVIIIe siècle. Si le mobilier Art Déco, en parfaite harmonie avec le nouveau style de vie qui émergeait en Europe et aux Etats-Unis – contemporain de l’ère du jazz, des paquebots transatlantiques et des grands magasins –, fit l’objet de nombreuses interprétations, notamment en Angleterre, en Allemagne et aux Etats-Unis, il fut cependant essentiellement français, et plus spécifiquement parisien : la virtuosité d’un ébéniste tel que Ruhlmann ou le brillant individualisme d’Eileen Gray ou de Legrain ne connurent aucun équivalent hors de l’hexagone dans les années 1920. Alastair Duncan présente dans cet ouvrage quatre-vingt-cinq créateurs de mobilier français, qui peuvent être divisés en trois groupes : les traditionalistes, qui reprirent l’héritage des ébénistes français du XVIIIe siècle (Ruhlmann, Follot, Groult, Leleu, Süe et Mare, pour n’en citer que quelques-uns), les modernistes (Adnet, Arbus, Prou...), qui se rebellèrent contre l’étroitesse de vue néoclassique et apportèrent leur propre touche au style Art Déco, et les individualistes, qui défient toute forme de classification (Pierre Legrain avec son mélange de primitivisme africain et d’influences modernistes ou encore Eileen Gray avec ses laques à l’orientale pleins de fantaisie, de théâtralité et d’ultra-modernisme). En s’appuyant sur plus de 300 illustrations, presque toutes expressément réalisées pour ce livre, Alastair Duncan dresse un panorama complet du mobilier Art Déco dans les années 1920 et 1930.
Art Deco --- Art Déco --- Art styles --- anno 1930-1939 --- anno 1920-1929 --- Art deco --- Decorative arts --- Art déco --- Arts décoratifs --- Encyclopedias --- History --- Encyclopedies --- Histoire --- Encyclopédies --- --Histoire de l'art --- --1920-1937 --- --Mobilier --- Décoration intérieure --- Sculpture --- Peinture --- Illustration --- Affiche --- Reliure --- Couverture de livre --- Verrerie --- Céramique --- Luminaire --- Textile --- Orfèvrerie --- Bijou --- Émail --- Années 1920 --- Années 1930 --- Art deco (Architecture) --- -Decorative arts --- -709.04 --- Applied arts --- Art industries and trade --- Arts, Applied --- Arts, Decorative --- Arts, Minor --- Minor arts --- Art --- Folk art --- -Art Deco --- -Art deco --- Art déco --- Arts décoratifs --- Encyclopédies --- Encyclopedias. --- Handicraft --- 709.04 --- -Art déco --- -Art styles --- -Art deco (Architecture) --- Architecture, Art deco --- Art deco architecture --- Architecture, Modern --- Histoire de l'art --- Mobilier --- History -
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Russian literature --- Gobetti, Piero --- Ginzburg, Leone --- anno 1930-1939 --- anno 1920-1929 --- Turin --- Turin (Italy) --- Italy --- Intellectual life --- Civilization --- Russian influences. --- Russian influences --- 947 --- 316.728 <47> --- BPB0708 --- C3 --- 945.1 --- Geschiedenis van de Slavische wereld, van Rusland en de USSR --- Cultuur. Levenswijze--Rusland. Sovjet-Unie --- Kunst en cultuur --- History Italy Northwestern Italy Piedmont region --- 316.728 <47> Cultuur. Levenswijze--Rusland. Sovjet-Unie --- 947 Geschiedenis van de Slavische wereld, van Rusland en de USSR --- Turim (Italy) --- Torino (Italy) --- Augusta Taurinorum (Italy) --- Comune di Torino (Italy) --- Città di Torino (Italy) --- Taurasia (Italy) --- Julia Augusta Taurinorum (Italy) --- Russia --- Russia (Federation) --- 20th century --- 947 History of Russia --- History of Russia --- Italy - Civilization - Russian influences --- Littérature russe --- Réception --- Turin (italie) --- 19e-20e siècles
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